Unveiling the Complexities of Surrogacy: Dukaan Movie Review
Movie – Dukaan
Producer- Amar and Shikha
Director- Siddharth Garima
Cast- Monica Panwar, Sikandar Kher, Monali Thakur, Vrajesh Hirji, Geetika Tyagi, Sunny Deol and others
Platform- Cinema Theater
Rating- 2.5
Director duo Siddharth and Garima, renowned for their work in hit films like Goliyon Ki Raasleela and Bajirao Mastani, have embarked on a new journey with their directorial debut, “Dukaan.” Set against the backdrop of surrogacy, this film delves into the intricate web of emotions between the birth giver and the intended parents. Starring Monika Panwar, Monali Thakur, Sikandar Kher, and others, “Dukaan” takes the audience on a journey through the challenges and consequences of unconventional choices.
The narrative revolves around Jasmine Patel (played by Monika Panwar), a fearless Gujarati girl who finds herself entangled in the complexities of surrogacy. After marrying Sumer (portrayed by Sikandar Kher), a shop owner and single parent, Jasmine unexpectedly becomes a mother. Tragedy strikes when Sumer passes away, leaving Jasmine with their newborn son and his daughter from a previous relationship. To sustain herself, Jasmine turns to surrogacy under the guidance of a local doctor. However, her decision to keep her surrogate child sparks a conflict between contractual obligations and maternal instincts.
Despite tackling a compelling subject, Siddharth and Garima falter in their execution. While the film attempts to shed light on a social taboo, it falls short in delivering a profound impact. The absence of emotional depth and coherence in the storyline hampers its effectiveness. Moreover, the narrative fails to address crucial aspects of commercial surrogacy, rendering it less insightful than anticipated.
Monika Panwar shines in her portrayal of Jasmine, infusing the character with boldness and depth. However, the same cannot be said for the rest of the cast. Monali Thakur’s performance as Diya lacks the emotional resonance needed to convey the anguish of a mother separated from her child. Despite commendable efforts from Sikandar Kher and Himani Shivpuri, the overall acting quality leaves much to be desired.
The film’s attempt to emulate the style of renowned filmmakers like Sanjay Leela Bhansali and draw inspiration from movies like “Mimi” and “Chori Chori Chupke Chupke” is evident but lacks originality. Additionally, the inclusion of Sunny Deol’s cameo feels forced and adds little value to the narrative.
From a technical standpoint, “Dukaan” is visually appealing, with well-executed cinematography and music by Shreyas Puranik that complements the storyline. However, its resemblance to Bhansali’s work is unmistakable, raising questions about its originality.
In conclusion, “Dukaan” offers glimpses into the complex world of surrogacy but falls short of leaving a lasting impression. While Monika Panwar’s performance is commendable, the film’s lack of emotional depth and coherence detracts from its overall impact. Despite its flaws, “Dukaan” may appeal to those interested in exploring Gujarati culture and witnessing Panwar’s talent firsthand. However, for a more engaging cinematic experience, alternatives like “Mimi” and “Chori Chori Chupke Chupke” remain preferable choices.
As the curtains draw on “Dukaan,” it serves as a reminder of the challenges inherent in navigating the delicate balance between legality, morality, and human emotion in the realm of surrogacy. While the film may not have achieved its full potential, it contributes to the ongoing discourse surrounding this complex issue.
